 | Ulkar Alakbarova May 16 |
A police raid in Detroit in 1967 results in one of the largest citizens' uprisings in the history of the United States.
Credits: TheMovieDb. Film Cast: - Melvin Dismukes: John Boyega
- Philip Krauss: Will Poulter
- Greene: Anthony Mackie
- Larry Reed: Algee Smith
- Julie Ann: Hannah Murray
- Carl Cooper: Jason Mitchell
- Michael: Malcolm David Kelley
- Demens: Jack Reynor
- Flynn: Ben O'Toole
- Fred Temple: Jacob Latimore
- Karen: Kaitlyn Dever
- Attorney Auerbach: John Krasinski
- Morris: Joseph David-Jones
- Jimmy: Ephraim Sykes
- Darryl: Leon G. Thomas III
- Lee: Peyton Alex Smith
- Aubrey: Nathan Davis Jr.
- Aubrey Pollard Sr.: Gbenga Akinnagbe
- Leon: Tyler James Williams
- Officer Frank: Chris Chalk
- Morgue Doctor: Jennifer Ehle
- Attorney Lang: Jeremy Strong
- John Conyers Jr.: Laz Alonso
- Warrant Officer Roberts: Austin Hébert
- Vanessa: Samira Wiley
- Police Sergeant James: Mason Alban
- Malcolm (as Miguel Pimentel): Miguel
- Malcolm: Miguel Pimentel
- Detective Tanchuck: Darren Goldstein
- Blind Pig Patron: Kristopher Davis
- Homicide Detective Anderson: Glenn Fitzgerald
- Police Officer Bill: Bennett Deady
- Dave: Tokunbo Joshua Olumide
- Nate Conyers: Benz Veal
- Detective Jones: Dennis Staroselsky
- Martha: Zurin Villanueva
- Spencer: Ricardo Pitts-Wiley
- Foreman Pete: Timothy John Smith
- Detective Thomas: Chris Coy
- National Guardsman Mike: Joey Lawyer
- National Guardsman Matthew: Will Bouvier
- Linda Tucker: Morgan Rae
- Police Officer David: David A. Flannery
- Roberta Pollard: Kris Sidberry
- Ma Pollard: Lizan Mitchell
- Eddie: Ato Blankson-Wood
- George: Henry Frost III
- Philip: JJ Batteast
- Vietnam Vet: Michael Jibrin
- Dismukes' Mother: Karen Pittman
- Police Officer Paul: Eddie Troy
- Head Juror: Alexander Cook
- Judge Demascio: Frank Wood
- Reporter at Court: Gary Wilmes
Film Crew: - Casting: Victoria Thomas
- Editor: William Goldenberg
- Original Music Composer: James Newton Howard
- Producer: Kathryn Bigelow
- Director of Photography: Barry Ackroyd
- Executive Producer: Greg Shapiro
- Assistant Costume Designer: Daniel J. Lester
- Music Supervisor: Randall Poster
- Casting: Richard Hicks
- Producer: Mark Boal
- Set Decoration: Kathy Lucas
- Costume Design: Francine Jamison-Tanchuck
- Stunt Coordinator: Ele Bardha
- Stunt Coordinator: Stephen A. Pope
- Foley Mixer: Nerses Gezalyan
- VFX Editor: Justin Yates
- Supervising Art Director: Greg Berry
- Producer: Megan Ellison
- Foley Artist: Gary A. Hecker
- Still Photographer: François Duhamel
- Music Supervisor: George Drakoulias
- Foley Mixer: Randy Singer
- Producer: Matthew Budman
- Production Design: Jeremy Hindle
- Costume Supervisor: Angelique Paull
- Construction Coordinator: Joseph Kearney
- Dialogue Editor: Robert Troy
- Sound Effects Editor: Hamilton Sterling
- Foley: Sarah Monat
- Stunts: Bryce Biederman
- Foley: Rick Owens
- Set Costumer: Wayne Allen
- Set Costumer: Alyson MacInnis
- Editor: Harry Yoon
- Producer: Colin Wilson
- Sound Effects Editor: Jamie Hardt
- Art Direction: Jim Wallis
- Sound Re-Recording Mixer: Paul N.J. Ottosson
- Local Casting: Carrie Ray
- ADR Supervisor: Daniel Saxlid
- Post Production Supervisor: Tina Anderson
- Lighting Technician: Peter Boynton
- Location Manager: Charles Harrington
- ADR Editor: Laura Graham
- Sound Effects Editor: Christian Schaanning
- Steadicam Operator: Christopher TJ McGuire
- Leadman: David Manhan
- Makeup Department Head: Whitney James
- Assistant Property Master: Aimee Butterfield
- Scenic Artist: David Rickson
- Visual Effects Supervisor: Sean Devereaux
- CG Supervisor: Don Libby
- Rigging Gaffer: Dave Cambria
- Hair Department Head: Camille Friend
- Set Costumer: Rosa J. Colón
- Camera Operator: Josh Medak
- Visual Effects Supervisor: Randy Goux
- Special Effects Coordinator: John Ruggieri
- Matchmove Supervisor: Marc Jones
- Visual Effects Supervisor: Joao Sita
- Digital Intermediate: Ian Sullivan
- Makeup Artist: Joe Rossi
- Art Department Coordinator: Deborah Jurvis
- Key Makeup Artist: Claudia Pascual
- First Assistant "A" Camera: Markus Mentzer
- Stunts: William Cote
- Lighting Technician: Harry Pray IV
- Digital Intermediate: Annie Johnson
- Additional Camera: Jeff Crumbley
- Casting Associate: Matt Bouldry
- Casting Associate: Maura Smith
- Set Costumer: Taryn Walsh
- First Assistant "B" Camera: Greg Wimer
- Best Boy Electric: James R. Mitchell
- Art Department Coordinator: Chris Sullivan
- Visual Effects Supervisor: Dan Cayer
- Chief Lighting Technician: Kelly Clear
- Hairstylist: Rebecca Woodfork
- Stunts: Robert Lee Harvey
- Visual Effects Coordinator: Jennifer Wang
- Foley Editor: Ryan Juggler
- Stunts: Xavier Dillingham
- Colorist: Stephen Nakamura
- Location Manager: Dave Krieger
- Set Designer: Patrick Scalise
- First Assistant Director: Simon Warnock
- Second Assistant Director: Christophe Le Chanu
- Set Costumer: Dana Pacheco
- Camera Operator: John Garrett
- Rigging Grip: Shawn S. Ryder
- Visual Effects Editor: Steven Spady
- Casting Associate: Andrew Hadzopoulos
- Visual Effects Producer: Meg Bailey
- Dolly Grip: David C. Romano
- Boom Operator: Joel Reidy
- Storyboard Artist: Gary Damian Thomas
- Makeup Artist: Carmen Lopez
- Makeup Artist: Angela Marinis
- Production Supervisor: Bryan Yaconelli
- Scenic Artist: Kim Codner
- First Assistant "C" Camera: Darryl Byrne
- Lighting Technician: Michael Geoghegan
- First Assistant "D" Camera: Christian J. Hollyer
- Key Grip: John Janusek
- Key Costumer: Earl Tanchuck
- Tailor: Carl Ulysses Bowen
- Set Medic: Roger Dillingham Jr.
- Dolly Grip: Teresa Hays
- Casting Associate: Scotty Anderson
- CG Supervisor: Mathias Lautour
- Visual Effects Producer: Cara Tallulha Davies
- Digital Intermediate: John Tripp
- First Assistant Editor: Peter Dudgeon
- Production Coordinator: Paula Stier
- Set Medic: K.C. Roballo
- Stunt Double: Califf Guzman
- Electrician: Chris Nickerson
- Seamstress: Bettina Hastie
- Lighting Technician: Phil Nason
- Second Assistant "B" Camera: Zack Shultz
- Lighting Technician: Tim Dunbar
- Stunts: Peter Wallack
- Set Decorating Coordinator: Alix Metros
- Second Assistant Director: Katie Valovcin
- Prop Maker: Paul Jaasko
- Construction Foreman: Mark Menard
- Propmaker: Benjamin Regan
- Scenic Artist: Paula Bird
- Lighting Technician: David Hallas
- Lighting Technician: Steve Sikora
- Makeup Artist: Claudia Moriel
- Location Coordinator: Jessica Logan
- Genetator Operator: Zachary K. Lazar
- Key Hair Stylist: Nikki Wright
- Stunts: Edward Gabree
- Scenic Artist: Kerri McGill
- Makeup Artist: Navya La Shay
- Set Designer: Bryan Lane
- Stunts: Michael C. Brennan
- Construction Foreman: David T. Parsons
- Stunt Double: Brandon M. Shaw
- Utility Stunts: Derek Johnson
- Second Assistant "A" Camera: Tonja Greenfield
- Scenic Artist: Dave Manning
- Scenic Artist: Abigail Neuhoff
- Set Decorating Coordinator: Megan Soderberg
- Prop Maker: Zachary Zablocki
- Special Effects Coordinator: Rob Ricketts
- Second Assistant Camera: Katherine Castro
- Second Assistant Camera: Talia Krohmal
- Location Manager: Gregory Chiodo
Movie Reviews: - r96sk: An important story to tell no doubt, but as a film it's a disappointment in my opinion.
Of course I cared for the characters from the first second due to the obvious subject matter, but that's as far as I ever got. It's a long 143 minutes, with one scene in particularly lasting an age without really doing much; except the final act of it. A film needs to do more, if this was a documentary - even a docudrama - then fair enough but it isn't. It also wastes a pretty top notch cast. John Boyega is in this, portraying Melvin Dismukes. The amount of times he's just there standing around doing nothing is frustrating, he has a few moments where he gets to act and you can see his phenomenal talent - especially one time where you see the effect of events on Melvin - but that's about it. A waste. Similar can be said for Anthony Mackie, star of one of my favourite films in 'The Adjustment Bureau'. He plays such a minor role, you cast someone like Mackie you gotta use him more surely? Will Poulter gets most of the screen time. He's good I guess, not sure we need to see quite as much of him as we do - given his character is an open/shut case. Elsewhere, you have other familiar faces like Tyler James Williams (shoutout Noah) and John Krasinski. I don't intend to crap on this film. It's clearly well made, has great intentions and relays a notable story. I'm just disappointed with the end product, I judge films as films and 'Detroit' is rather underwhelming.
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