 | Ulkar Alakbarova May 13 |
A brother and sister driving home through an isolated countryside from college encounter a flesh-eating creature in the midst of its ritualistic eating spree.
Credits: TheMovieDb. Film Cast: - Patricia 'Trish' Jenner: Gina Philips
- Darius 'Darry' Jenner: Justin Long
- The Creeper: Jonathan Breck
- Jezelle Gay Hartman: Patricia Belcher
- The Cat Lady: Eileen Brennan
- Sgt. David Tubbs: Brandon Smith
- Waitress Beverly: Peggy Sheffield
- Restaurant Manager: Jeffrey William Evans
- Binky Plutzker: Patrick Cherry
- Officer Robert Gideon: Jon Beshara
- Officer Natasha Weston: Avis-Marie Barnes
- Cellblock Officer: Steve Raulerson
- Austin McCoy: Tom Tarantini
- Officer with Hole in Chest: William Haze
- Camper Driver: Kim Kahana
- Dying Boy: Chris Shepardson
Film Crew: - Executive Producer: Francis Ford Coppola
- Stunts: Hank Amos
- Post Production Supervisor: Nancy Kirhoffer
- Stand In: John Hines
- Unit Production Manager: Barry Opper
- Casting: Kimberly Mullen
- Executive Producer: Willi Bär
- Director: Victor Salva
- Unit Production Manager: Tom Luse
- Executive Producer: Mario Ohoven
- Original Music Composer: Bennett Salvay
- Director of Photography: Don E. FauntLeRoy
- Music Editor: Ed Marx
- Executive Producer: Eberhard Kayser
- Stunts: Jeff Moldovan
- Scoring Mixer: Shawn Murphy
- First Assistant Director: George Bamber
- Rigging Grip: Paul Beaver
- Executive Producer: Linda Reisman
- Supervising Sound Editor: James P. Lay
- Foley Supervisor: Richard Partlow
- Additional Casting: Angelique Midthunder
- Stunts: Nick Brandon
- Production Design: Steven Legler
- First Assistant Editor: Geraud Brisson
- Telecine Colorist: Rolando Díaz
- Co-Producer: J. Todd Harris
- Stunts: Thirl Haston
- Chief Lighting Technician: Robert Driskell
- Assistant Accountant: Dixie Jones
- Stunt Double: Elle Alexander
- Costume Design: Emae Villalobos
- Key Makeup Artist: Rodger Jacobs
- Sound Re-Recording Mixer: Aleksandr Gruzdev
- Set Costumer: Barnaby Smyth
- Dialogue Editor: Robert Troy
- Stunt Coordinator: James M. Churchman
- Stunts: Jennifer Badger
- Still Photographer: Gene Page
- Sound Editor: Angelo Palazzo
- Construction Coordinator: Christopher Scheetz
- Armorer: Jerry Blohm
- Camera Operator: Michael P. May
- Key Hair Stylist: Gunnar Swanson
- Script Supervisor: Patricia A. Fullerton
- Production Executive: Shannon Lail
- Orchestrator: Randy Kerber
- Lighting Technician: Shane Buttle
- Production Supervisor: Jeffrey Berk
- Assistant Location Manager: Burke P. Robinson
- CG Supervisor: Todd Sheridan Perry
- ADR Recordist: Jeff Gomillion
- Art Direction: Kevin Egeland
- Set Decoration: Barbara Peterson-Malesci
- Art Department Coordinator: Alice Wymer
- Greensman: Daniel Williams
- Location Scout: Andreas Zachai
- Production Illustrator: Brad Parker
- Sculptor: Greg Smith
- Key Grip: Ben Bardin
- Set Dressing Artist: Rex Christensen
- Carpenter: Michael Powels
- Craft Service: Drew Smith
- Driver: Robert Jepson
- Makeup Effects: Roy Ceballos
- Post Production Assistant: Michael Matsumoto
- Propmaker: James P. Crapser
- Scenic Artist: Carla Bailey
- Set Medic: Fred Moyse
- Key Set Production Assistant: Joanne Guthrie
- Sound Recordist: Joe Foglia
- Special Effects Coordinator: Michael Arbogast
- Utility Stunts: Kurt Hockenberry
- Second Second Assistant Director: Mary Kilgannon
- Electrician: Thomas M. Allen
- Accountant: Mary Sunshine
- Production Coordinator: Leslie Stevens
- ADR Supervisor: Tim Bindel
- Sound Designer: Charlyn Bernal
- Sound Effects Editor: Andy Rosenthal
- 3D Supervisor: Lisa Lavender
- Visual Effects Producer: Scott Ramsey
- Visual Effects Supervisor: Robert W. Morgenroth
- Second Assistant Director: Jason Roberts
- Musician: Kevin Connolly
- ADR Editor: Cindy Jo Hinkleman
- Dolly Grip: Joe Mast
- Grip: Marvin Haven
- Makeup Artist: Tim Phoenix
- Animal Coordinator: Gloria Winship Ayon
- Animal Wrangler: Shane Ayon
- Negative Cutter: Rick Downey
- Assistant Makeup Artist: Susie Mendez Pfister
- Special Effects Technician: Joel P. Blanchard
- ADR Mixer: Dylan A. Flores
- Colorist: John Sellars
- Assistant Property Master: Graylan Franklin
- Foley Recordist: Ron Ruzicka
- Additional Visual Effects: Scott Kirvan
- Best Boy Grip: Scott Stuart
- Second Assistant Camera: Mike Walsh
- Post Production Coordinator: Jamie Burris
- Location Assistant: Cara Sachse
- Art Department Production Assistant: John Burt
- Assistant Production Coordinator: Amy R. Trachtman
- Key Rigging Grip: Matthew Zeyn
- Production Assistant: Marshal Clough
- CGI Supervisor: Paul Le Blanc
- Stunts: John Zimmerman
Movie Reviews: - VolcanoAl: I loved this movie.For it's budget & little CGI used.It was a great thriller.I don't consider it as horror.I'm sure many don't agree.I have been hoping for a new movie.
- Gimly: An under-appreciated horror piece from my formative years, best watched going in with no clue what you are in for.
_Final rating: ★★★½ - I strongly recommend you make the time._ - John Chard: Indeed, where did you get those eyes?
Siblings Darius and Trish are driving home from college through rural America. They have a brief run in on the road with the driver of a beat up van, later on, on the road side, they observe weird goings-on from the driver of said van, an observation that puts both of them in immense danger. Jeepers Creepers tips its hat off to the creepy horror movies that were all the rage in the 70s and early 80s, boasting genuine suspense and characters fully formed, Jeepers Creepers is something of a refreshing antidote to the ream of horror movies available that line up teenagers purely to be slasher fodder. Lifting it just above average is the fact that our two sibling protagonists have viable discussions before venturing into the realm of horror staple requirements, although the picture is "B" movie in substance, it does however attempt to be credible in its story telling. Sadly though, after a wonderfully edgy first half, the picture drops down in standard, the introduction of "The Creeper" may well be a necessity, but it shifts the film to such a degree, it rapidly loses its creepy momentum. Not that the second half of the film is a disaster, far from it, it's got a scary fun vibe to it, it's just that it promises so much, but ultimately runs out of steam. Jeepers Creepers was successful enough to spawn inferior sequels, with the "Creeper" of the piece firmly entering the horror hall of fame, thus an argument for the film having done its job seems totally viable, it's just sad that it didn't stay on the side of edgy and become a horror classic. 6/10 - Ryan: Just OK. Justin Long is his usual quirky, excellent self. Gina Philips plays the sometimes right, sometimes wrong older sister. Won't be watching the other ones...
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