Sonny Stitt And J.J. Johnson – Live In Germany – 1964 – Past Daily Downbeat

gordonskene

Dec 31

STITT-JOHNSON-10-1516-1964.mp3

Over to Baden-Baden Germany this week for a (short) concert featuring Sonny Stitt and J.J. Johnson (along with Howard McGhee, Walter Bishop, Tommy Potter and Kenny Clarke) recorded in the studios of SWF on October 15th and 16th in 1964.

Known for his warm tone, Sonny Stitt was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.

Following the mid-1950s collaboration with Kai Winding, J. J. Johnson began leading his own touring small groups for about three years, covering the United States, United Kingdom and Scandinavia. These groups (ranging from quartets to sextets) included tenor saxophonists Bobby Jaspar and Clifford Jordan, cornetist Nat Adderley, trumpeter Freddie Hubbard, pianists Tommy Flanagan and Cedar Walton, and drummers Elvin Jones, Albert "Tootie" Heath, and Roach. In 1957, he recorded the quartet albums First Place and Blue Trombone, with Flanagan, Paul Chambers and Roach. He also toured with the Jazz at the Philharmonic show in 1957 and 1960, the first tour yielding a live album, featuring Johnson and tenor saxophonist Stan Getz.

JJ Johnson's 1963 album J. J.'s Broadway is an example of both his mature trombone style and sound, and his arranging abilities. Johnson's album Proof Positive (1964) was the last recording of his working band for over 20 years. Beginning in 1965, Johnson recorded a number of large group studio albums under his name, featuring many of his own compositions and arrangements. The late 1960s saw a radical downturn in the fortunes of many jazz musicians, and Johnson was consequently heard almost exclusively on big band-style studio records, usually backing a single soloist.

Enjoy the show.

"J. J. did for the trombone what Charlie Parker did for the saxophone". - Steve Turre

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