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Sunday, 31 March 2024

Short Film Review: ETERNAL LINES: William Shakespeare’s Verse in Music and Motion

ETERNAL LINES: William Shakespeare's Verse in Music and Motion., 5min., USA Directed by Yazan Al-Hajari Eternal Lines: William Shakespeare's Verse in Motion and Music" is the second part of a series where I delve into Shakespeare's v…
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Short Film Review: ETERNAL LINES: William Shakespeare's Verse in Music and Motion

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March 31

ETERNAL LINES: William Shakespeare's Verse in Music and Motion., 5min., USA

Directed by Yazan Al-Hajari

Eternal Lines: William Shakespeare's Verse in Motion and Music" is the second part of a series where I delve into Shakespeare's vast Canon, handpicking songs and sonnets that resonate deeply with me. I've woven these pieces into a narrative that, while personal in selection, unveils a connected story, reflecting the universal themes and emotions Shakespeare so masterfully depicted. This project is a heartfelt tribute to the timeless beauty of Shakespeare's poetry, crafted with deep admiration for his poetic genius. While delving into Shakespeare's poetry, my goal was not only to breathe new life into these classic texts but also to capture and reflect my own emotional journey as I navigated through the myriad of themes and expressions found in his work. Through a fusion of original music, captivating AI and real footage and visuals, and immersive sound design, I've endeavored to present Shakespeare's poetry in a contemporary light, offering a fresh perspective that honors the essence of his work while inviting modern audiences to experience its magic anew.

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Review by Andie Karvelis:

"And one man in his time plays many parts". This (shortened) quote from Shakespeare could have been speaking about Yazan Al Hajari; he crafted the music and the video for Eternal Lines.

I must admit, the opening notes of the piano are like a siren song that draws you in. The clarity and resonance of the tone keep you engaged, the melody like a wonderful embrace. Gliding on top of the music is this sensational voice over, provided by Sir John Gielgud and Richard Briers as they read Shakespeare's sonnets 64, 55, 65, and 66.

Visually this is equally as impactful. You are bombarded with various images and Yazan has cleverly added The Bard of Avon in several places as well as himself. There is a nice transitional flow from live action images to A.I. and everything fits together beautifully. Even the music varies and changes within the piece giving you the sense you are watching Shakespeare come to life.

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